Sunday, November 9, 2014
Wednesday, November 5, 2014
Eadweard Muybridge
Muybridge, Eadweard. Animal Locomotion, plate 643 ("Pandora" jumping a hurdle.) 1883.http://www.michaelspornanimation.com/splog/?p=628. 5 Nov 2014.
John Clang (Ang Choon Leng)
Clang, John. Being Together (Joe). 2010. CLANG. Web. 3 Nov 2014.
Clang, John. Myth of the Flat Earth (2). 2013. CLANG. Web. 3 Nov 2014.
Clang, John. Out of Context (Paper Plane). 2005. CLANG. Web. 3 Nov 2014.
Tuesday, October 28, 2014
Photographer Oscar Medina Interview Questions and Answers
Hey Guys!
So my Photographer emailed me back after my presentation was already done, so I am going to post the questions and answers here! (BTW it is kinda cool being able to communicate with a semi-famous photographer)
Good morning Taylor,
Sorry for the late response, I hope you're still on time. I'm truly glad you enjoy my work and that you've reached me. In response to your questions I would say:
Question 1: Where do you get your inspiration for your photography?
1. I get my inspiration from knowing new places, I've traveled my fair share and I actually began taking photographs on my first trip in 2008, I purchased my first DSLR (a Nikon D3000) for this trip without having previous knowledge of photography. It was a 6 months backpacking trip through South America and I decided I had a have a memorable photos, so that's how I started.
Question 2: What type of camera do you use?
2. 80% of the photos were taken with a Nikon D3000 and an 18-55 lens, the rest and newer ones are with a Nikon D5100 and same lens plus a 55-300 lens.
Question 3: What is your favorite subject to photograph?
3. My favorite subject are definitely all kind of animals.
Question 4: Do you intentionally try to capture specific facial expressions when photographing animals?
4. It is definitely intentional, I try to capture their inner nature with their expressions. I try to get as close as I can in a respectful way and I try to be very patient.
Question 5: What are your greatest achievements thus far?
5. Being recognized by National Geographic has definitely been one of my dreams and top achievements, and thanks to the exposure they give to my work, I see my pictures posted on blogs and sites all over the world, I get comments and likes from people I have never imagined to reach, It's been amazing. I also have two photographs published in a Magazine for the ITAM in Mexico regarding "Nomads".
Thank you again for reaching out and sorry for the late response, I hope I was helpful.
Oscar M.
So my Photographer emailed me back after my presentation was already done, so I am going to post the questions and answers here! (BTW it is kinda cool being able to communicate with a semi-famous photographer)
Good morning Taylor,
Sorry for the late response, I hope you're still on time. I'm truly glad you enjoy my work and that you've reached me. In response to your questions I would say:
Question 1: Where do you get your inspiration for your photography?
1. I get my inspiration from knowing new places, I've traveled my fair share and I actually began taking photographs on my first trip in 2008, I purchased my first DSLR (a Nikon D3000) for this trip without having previous knowledge of photography. It was a 6 months backpacking trip through South America and I decided I had a have a memorable photos, so that's how I started.
Question 2: What type of camera do you use?
2. 80% of the photos were taken with a Nikon D3000 and an 18-55 lens, the rest and newer ones are with a Nikon D5100 and same lens plus a 55-300 lens.
Question 3: What is your favorite subject to photograph?
3. My favorite subject are definitely all kind of animals.
Question 4: Do you intentionally try to capture specific facial expressions when photographing animals?
4. It is definitely intentional, I try to capture their inner nature with their expressions. I try to get as close as I can in a respectful way and I try to be very patient.
Question 5: What are your greatest achievements thus far?
5. Being recognized by National Geographic has definitely been one of my dreams and top achievements, and thanks to the exposure they give to my work, I see my pictures posted on blogs and sites all over the world, I get comments and likes from people I have never imagined to reach, It's been amazing. I also have two photographs published in a Magazine for the ITAM in Mexico regarding "Nomads".
Thank you again for reaching out and sorry for the late response, I hope I was helpful.
Oscar M.
Wednesday, October 15, 2014
Oscar Medina
Medina, Oscar. "Animals." Oscar Medina Photography. Web. 15 Oct. 2014.
<http://oscarmedinafoto.com/p450915299/h25eb9460#h25eb9460>.
Medina, Oscar. "Photo Of The Day Giraffe, Mexico." National Geographic. National
Geographic, 15 July 2011. Web. 15 Oct. 2014. <http://photography.nationalgeographic.com/photography/photo-of-the-day/giraffe- mexico>.
Medina, Oscar. "A Mothers Love - National Geographic Photo Contest 2011 ..." National Geographic. National Geographic, 12 July 2014. Web. 15 Oct. 2014. <http://photography.nationalgeographic.com/photography/photo-of-the-day/foal-horse-mothermexico/>.
Friday, June 13, 2014
Thursday, June 12, 2014
Wednesday, June 11, 2014
Christopher Anderson
Anderson, Christopher. A woman who lost 25 members of her family during the Bosnian Conflict. Digital image. Magnum Photos Photographer Portfolio. Magum Photos, 2008. Web. 11 June 2014. <http://www.magnumphotos.com/C.aspx?VP3=CMS3&VF=MAGO31_10_VForm&ERID=24KL53ZQ5L>.
Tuesday, June 10, 2014
Photographer-Harold Feinstein
Feinstein, Harold. Man Smoking in 14th Street Diner. NYC, 1970 Web. June 10, 2014
Haroldfeinstein.com Album: City Streets
Monday, June 9, 2014

http://erickimphotography.com/blog/2014/06/06/7-lessons-helen-levitt-has-taught-me-about-street-photography/
Sunday, June 8, 2014
Tunc Tezel-Astrophotographer by Natalie Fiorini
Photographer Katerina Plotnikova -- Chelsea Hanson
My power-point can be seen here:
https://onedrive.live.com/redir?resid=DB260C7726010115!112&authkey=!AKYVFMjCd7635Gs&ithint=file%2c.pptx
Thursday, June 5, 2014
Louis-Jacques-Mandé Daguerre
View of the Boulevard du Temple, Paris by Louis Daguerre
"FotoVisura Features » History: Louis Daguerre & The Daguerrotype (1838)."FotoVisura Features RSS. N.p., n.d. Web. 06 June 2014.
http://www.fotovisura.com/features/2010/08/history-louis-daguerre
"Louis Daguerre: Pictures Illuminate Google's Man of the Day." N.p., n.d. Web.
http://news.nationalgeographic.com/news/2011/11/pictures/111118-louis-daguerre-google-doodle-science-photography/#/louis-daguerre-daguerreotype-photography-street-view_43964_600x450.jpg
"Louis Daguerre and the Pioneers of Photography." The Telegraph. Telegraph Media Group, n.d. Web. 06 June 2014.
http://www.telegraph.co.uk/culture/culturepicturegalleries/8898962/Louis-Daguerre-and-the-pioneers-of-photography.html
Monday, June 2, 2014
Photo's name: Groudskeeper. It's was taken in New York
Photo by Jay Maisel
the photo from the website: http://studio.jaymaisel.com/collections/portfolio
Thursday, May 22, 2014
RON VESELY
Photograph by Ron Vesley 1998 All Star Game Mark McGwire
Vesely, R. (1998, July 1). Ron Vesely website. . Retrieved May 22, 2014, from
http://www.vesphoto.com/
Wednesday, May 21, 2014
Friday, May 16, 2014
Monday, May 12, 2014
Citation
Do not forget to properly cite the photograph here in this blog. You may use MLA format or APA or anything else.
Joel-Peter Witkin
Sunday, May 11, 2014
Wednesday, December 11, 2013
Wednesday, December 4, 2013
Brad Goldpaint
"Acquiescent", photo taken by Brad Goldpaint
Found on: http://www.flickr.com/photos/goldpaint/5535111050/
Found on: http://www.flickr.com/photos/goldpaint/5535111050/
Tuesday, December 3, 2013
Aaron Huey
picture from: http://coffeentrees.tumblr.com/post/62632013917/photo-by-argonautphoto-aaron-huey-packing-bags
Monday, December 2, 2013
St. Paul’s Cathedral, Alvin
Langdon Coburn (1905)
This photograph is one example of a recurring theme in Coburn’s work; that is to say the presentation of architecture as meaningful, even ephemeral. The cathedral is shown here in the background, just out of focus, so that it seems to loom like a shadow over the city. In contrast, the smoke of industry is in the foreground in sharp focus. This implies that while the English aspired to lofty Christian ideals, the true impact of their empire was felt via grinding industrialism.
Williamsburg Bridge, Alvin
Langdon Coburn (1909)
1000 Windows, Alvin Langdon
Coburn (1912)
Flatiron Building, Alvin
Langdon Coburn (1912)
Directly visible in this image are a street, people, smoke and the
eponymous cathedral, as well as some other buildings.
This photograph is one example of a recurring theme in Coburn’s work; that is to say the presentation of architecture as meaningful, even ephemeral. The cathedral is shown here in the background, just out of focus, so that it seems to loom like a shadow over the city. In contrast, the smoke of industry is in the foreground in sharp focus. This implies that while the English aspired to lofty Christian ideals, the true impact of their empire was felt via grinding industrialism.
Directly visible in this image are the silhouettes of people,
construction equipment and the Williamsburg Bridge.
Like Coburn’s other architectural photos, we have an architectural
achievement in the background, with its negative effects in the foreground.
Workers can be seen trudging along, amidst trash and cast off construction
tools, in darkness.
Directly visible in the image is a large building. While the general
structure is that of a skyscraper, the ornamentation seems to belong more to a
Victorian home.
In a slight departure from his style in previous shots, Coburn did not
use juxtaposition in 1000 Windows. Instead,
he accentuated the unusual appearance of the building by shooting it from an
odd angle, and focusing on the center as opposed to the base or the top.
Directly visible in the image are a tall building, a street lamp and
people walking.
Like 1000 Windows, this image
uses angle and focus, rather than juxtaposition, to convey the haunting tone
found throughout Coburn’s work. The businessmen in the foreground are small and
out of focus in comparison to the tower, looming clearly visible. This contrast
gives the impression that the building is some great monolith, ruling over the lives
of men.
Cadiz, Alvin Langdon Coburn
(1908)
Directly visible are two ships, framed within a mast and sail.
This photograph uses juxtaposition, but in a way unlike the other
photos that Coburn was taking at the time. By framing the active sailors and
boats within the mast and sail of a boat that is obviously in disrepair and no
longer in use, Coburn portrays visually the cycle of creation, usage and
destruction, as well as the waste innate in industrialism; this theme ties in to St.
Paul’s Cathedral and Williamsburg
Bridge.
Alvin Langdon Coburn was one of the first architectural photographers,
as well as one of the first to pursue photography as an artist. He rose to fame
in the early nineteen-hundreds due to his impressive use of high-angle
photography, as well as the powerful symbolism in his photographs.
All photos courtesy of Mastering Photography.
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